Gabriele Beveridge

Gabriele Beveridge (b. 1985, Hong Kong) is a British artist based in London. She studied at Falmouth College of Arts and the Slade School of Art, and was an artist-in-residence at the Villa Lena Foundation in Italy in 2018 and at West Dean College in the United Kingdom in 2017.

Gabriele Beveridge’s materials frequently derive from commerce sites, particularly those where we prepare and process our bodies or, more accurately, where we pay others to perform labour on our surfaces. Her sculptural work absorbs the urban environment in which she moves, interrogating the materials that define its contours and combining materials as diverse as hand-blown glass, found photographic imagery and promotional material found in salon windows. Display and presentation are persistent themes throughout her practice.

Working on the edge of what sculpture ought to feel or look like, Beveridge arrived at glass through photography, a medium she explored as an object of interrogation. Parallel to photography’s ability to trap a moment in time, her glass work captures moments of transformation by testing the principles of it’s fluid dynamics: molten, highly viscous, and malleable at high temperatures, the material surrenders to the human hand that forms it as it cools.

Recent solo and two-person exhibitions include: A sculptural commission in collaboration with AWITA (Women in the Arts Association) for 100 Bishopsgate, London (2025), Blood Moon at Cosar Gallery, Dusseldorf (2024), Laps at Bradley Ertaskrian, Montreal (2022), Packed Stars Dividing at Seventeen (2022), Great Pretender at Kai Art Center (2021), Skin for Either One at Deweer Gallery, Otegem (2019), Live Dead World at Seventeen (2018-19), Soft Shrinking Tremor at Parisian Laundry, Montreal (2017), Eternity Anyways at Chewday’s, London (2016), Health and Strength at La Salle de Bains, Lyon (2015), Mainland at MOT, Brussels (2015), In a Normal World I’d Be There at Outpost, Norwich (2014), Health and Strength at La Salle de Bains (2014), Lyon and Gold Diamond Park at Elizabeth Dee, New York (2014).

Recent group exhibitions include: Melting Sands: Glass in Contemporary Art at Sammlung Philara, Dusseldorf (2026), You You at Lombardi Kargl, Vienna (2024), Re-opening of the Collection at Kunstpalast, Dusseldorf (2024), Blink at Stravanger Art Museum, Stravanger (2023), Pre-Pop to Post-Human: Collage in the Digital Age at Hayward Touring, London (2014), Comrades of Time at Cell Project Space, London (2013), Desire at Yancey Richardson Gallery, New York (2013), La Chose Encadrée at a Glasgow International, Scotland (2014) Folly at Emalin, London (2016)

Beveridge’s work is held in public and private collections worldwide including Museum Kunstpalast, Stavanger Art Museum, Gagosian Collection, Zabludowicz Collection, Frederic de Goldschmidt Collection, Saatchi Collection, Missoni Collection, and Museum Ludwig. Seventeen presented a solo exhibit by Gabriele Beveridge at LISTE Art Fair, Basel in June 2022.

Biography

Gabriele Beveridge CV

Seventeen Exhibitions

Packed Stars Dividing
Live Dead World
Echoes of the Ornamental Garden

Press

Contemporary Art Society
Frieze
Art Forum
The White Review
200%

Gabriele Beveridge, Stem, 2024
Handblown glass, chrome upright
200 x 33 x 36 cm

Gabriele Beveridge, Scaffold, 2026
Handblown glass, chromed steel
60 x 30 x 30 cm

Gabriele Beveridge, Source, 2026
Hand-blown glass, anodised steel
40 x 26 x 16 cm

Gabriele Beveridge, Source, 2025
Freehand glass, perspex
42 x 27 x 15 cm

Installation view of Beveridge’s solo presentation ‘Of Being Numerous X Glassed In Dreams’ at 100 Bishopsgate.
This exhibit will be on view until February 2026. For further information see AWITA

Gabriele Beveridge, Cords, 2025
Hand blown glass
80 x 20 x 20 cm

Gabriele Beveridge, Under Falls of Air, 2022
Polyurethane paint, steel shop-fittings
240 x 497 x 3.5 cm

Installation view as part of ‘You You’ at Lombardi—Kargl, Vienna, curated by Kate Sutton

Gabriele Beveridge, Fountain, 2021
Hand-blown glass, shop tie tiers, rope, 90 x 80 x 80 cm

Gabriele Beveridge, Installation view of Packed Stars Dividing, Seventeen, London

Gabriele Beveridge, Installation view of Packed Stars Dividing, Seventeen, London

Gabriele Beveridge, Single Cells, 2022
Hand-blown glass, steel hooks, polyurethane paint, shop fittings, 120 x 120 x 42 cm

Gabriele Beveridge, Nest, 2021
Hand-blown glass, glass shop fittings, 150 x 150 x 150 cm

Gabriele Beveridge, Clouds, 2018, installation view

Gabriele Beveridge, Cords, 2023
Hand-blown glass, wooden plinth, mirror
72 x 34 x 24 cm

Gabriele Beveridge, Stem, 2022
Hand blown glass, chromed steel shop fitting, chromed steel bookends
110 x 38 x 33 cm

Gabriele Beveridge, Burning, 2022
Freehand glass, perspex
31 x 25.5 x 8 cm

Gabriele Beveridge, End of Never, 2021
Found sun-faded beauty salon poster, rope, frame
50 x 35 x 7 cm

Gabriele Beveridge, Orbit, 2021
Synthetic hair extensions, wood, satin varnish
75 x 75 x 15 cm

Gabriele Beveridge, Petrol Electric Light, 2020
Hand-blown glass powder-coated shop panels found shop panels, 200 x 120 x 45cm

Gabriele Beveridge, High Pink, 2021
Hand-blown glass, chrome shop fittings, 140 x 70 x 50cm

Gabriele Beveridge, Prophetic Souls VI, 2018
Hand-blown glass, chrome shop fittings, 200 x 102 x 53cm

Gabriele Beveridge, Memorial, 2018
Mannequin hands, chrome shoe racks, 96 x 103 x 23 cm

Gabriele Beveridge, Untitled, 2016
Found poster, hand-blown glass, artist frame, 43 x 63 x 20 cm

Gabriele Beveridge, Odd Mercy, 2021
Freehand glass, acrylic sheet, 26 x 33 x 10 cm

Gabriele Beveridge, Petrol Electric Light, 2019, detail view

Gabriele Beveridge, Spine through the guts II, 2019
Hand blown glass, chromed steel shop fittings, 129 x 70 x 42 cm

Gabriele Beveridge, Installation view of Great Pretender, Kai Art Center, Tallinn

Gabriele Beveridge, Tomorrow’s Lover, 2020
Driftwood, hand-blown glass, chrome shop stand, 175 x 130 x 130cm

Gabriele Beveridge, Installation view of Live Dead World, Seventeen, London