GRAHAM DOLPHIN

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Bench

2010

77 x 213 x 65 cm

Wood, metal, marker pen, paint, ink, graphite, biro, tippex, wax, paper, cotton thread, shoelace, plectrum, leather

SEVENTEEN EXHIBITIONS

33 1/3

6 Sheet

BURN AWAY FADE OUT

BIOGRAPHY

Graham Dolphin's work appropriates objects and icons of the fashion and music industries, reforming them into assemblages that reveal the obsessions and formulas underwriting the temporal world of mass culture. Text works include: every lyric from the Beatles back catalogue hand written over the iconic cover of the White Album. In another text work, Dolphin takes every word from a single issue of Vogue and scripts them onto a single page, which has the same dimensions of the magazine. Dolphin's drawings compile every 'product' (shoes, cosmetics, etc.) traced over each other onto a single page. Film works include: gathering 1,500 images of Kate Moss merged into 60 seconds and footage of 100 Fashion Shows shown in a mere 100 seconds. These compulsive actions transform and disrupt the surface aspirations of popular culture and the glamour industry.

SOLO EXHIBITIONS

2010
Graham Dolphin, David Risley Gallery, Copenhagen

2010
Burn Away Fade Out, Seventeen, London

2008
6 Sheet, SEVENTEEN, London

2007
Repeater, BALTIC Centre for Contemporary Art, Gateshead

2006
33 1/3, SEVENTEEN, London

2005
BOUDICCA Animate Collected, Exploded and Condensed, David Risley Gallery, London

2005
Everything in Vogue, MIMA, Middlesbrough

2002
Everyword In Vogue, Five Years, London

GROUP EXHIBITIONS

2010
Schunk@Pinkpop, Schunk, The Netherlands

2010
Spasticus Artisticus, Ceri Hand Gallery, Liverpool

2010
Read Only Memory, Winkleman Gallery, New York

2010
PARTY!, The New Art Gallery, Walsall

2009
Word, William Shearburn Gallery, St. Louis

2009
Inkubator II, Durham Art Gallery, Durham

2009
V-Effect / In and Out of Place, Bibliothekswohnung, Berlin

2009
Pattern Recognition, Leicester City Gallery, Leicester

2009
Rotate, Contemporary Art Society, London

2009
Mark Making, Lora Reynolds Gallery, Austin, USA

2009
Timecode, DCA, Dundee

2008
Microwave 6, Josee Bienvenu Gallery, New York

2008
Kill Your Timid Notion, DCA, Dundee

2008
THE KRAUTCHO CLUB / IN AND OUT OF PLACE, 176, London

2007
Case Study, Plymouth Arts Centre, Plymouth

2007
Berwick Film & Media Arts Festival

2007
Becks Fusions, Video Pod, Trafalgar Square, London

2007
Plus, Museum Weisbaden, Germany (Vordemberge-Gildewart Award)

2007
When We Build, Lets Think That We Build Forever, The Zabludowicz Collection, BALTIC, Gateshead

2007
Ultrasonic International II, Mark Moore Gallery, Los Angeles

2006
You Shall Know Our Velocity, BALTIC Centre for Contemporary Art, Gateshead

2006
Beyond the Valley, Beyond the Valley, London

2005
Seventeen Presents..., Seventeen, London

2005
They call us lonely when we’re really just alone, Vane, Newcastle upon Tyne

2005
The Space Between the Sole and the Heel, Globe Hub, North Shields

2005
Interference, The Great Unsigned, Waugh Thistleton Architecture, London

2004
Carlos, winter 2004, pub. John Brown Citrus publishing, London

2004
Practice, High Bridge, Newcastle upon Tyne

2004
Dream Ticket, T-shirt commission, MIMA, Middlesbrough

2004
The Great Unsigned, Zoo Art Fair, London Zoo, London

2004
PILOT 01 International Art Forum, Limehouse Town Hall, London

2004
Plasma screen programme, Arts Council England, North East offices, Newcastle

2004
Quest magazin collaboration with Mandarina Duck, Qvest Magazin, No. 14

2004
QSL, audio publication and temporary radio show, pub. MIMA, Middlesbrough

2004
ArtExpo 2004 > Mexico, Observatorio Centro Experimental, Mexico

2003
ArtReview, collaboration with Mandarina Duck, ArtReview, September, pub

2003
ReSound, Stroud Valley Arts Space, Stroud

2003
Translator, Vane, Newcastle upon Tyne

2002
Rapture: Art’s Seduction By Fashion, Barbican Gallery, London

2002
The Mind Is A Horse, Bloomberg SPACE, London

2002
Grotesque Idyll, Kinnijoe Space, Hamburg

2002
The Difference Between You and Us, Five Years, London

2001
Drop Out, Five Years, London

2000
Felt-tip, Zwemmer Gallery, London

2000
Introduction Service, Zwemmer Gallery, London

1999
Kill Yr Idols, Laure Genillard Gallery, London

1999
Accelerator, Southampton City Art Gallery, touring to Arnolfini, Bristol, and Oldham Art Gallery

EDUCATION

1991 - 1994
BA Fine Art Painting, Bath College of Higher Education

1990 - 1991
Foundation in art and Design’ Chetwynd Centre, Stafford